[ these notes are taken from the theories presented by James P. Carse in his book 'Finite and Infinite Games' and are hereby to be associated with the literature of the TAZ and Immediatism, by Hakim Bey earlier appended ]
I’ve canonized Carse and his teachings, for the sake of playful irony, which I’m certain won’t be lost on the author when he inevitably finds his way here and laughs his head off.
[ these notes have been extrapolated and expanded upon, the source is Hakim Bey's writings on the the subject of Raw Vision, Silence and the Critique of the Listener ]
Writing has taken us to the very edge beyond which writing may be impossible. Any texts which could survive the plunge over this edge– into whatever abyss or Abyssinia lies beyond–would have to be virtually self-created… the last screamed messages of a witch or heretic burning at the stake.
[ these notes have been extrapolated and expanded upon, the source is Hakim Bey's writings on the the subject of Ontological Anarchism and Immediatism ]
“The practice of immediatism will release within us vast storehouses of forgotten power, which will not only transform our lives through the secret realization of unmediated play, but will also inescapably well up & burst out & permeate the other art we create, the more public & mediated art.” [ ... ]
[ these notes have been extrapolated and expanded upon, the source is Hakim Bey's writings on the TAZ ]
“The New Autonomy will either infiltrate the media and subvert ‘it’ from within — or else never be “seen” at all. The TAZ exists not only beyond Control but also beyond definition, beyond gazing and naming as acts of enslaving, beyond the understanding of the State, beyond the State’s ability to SEE.”
In silence sweet
we tread our feet
in sands
on shores
of time.
Seeing past the rhythmic beat
and truly touching those we meet,
is why our only weapon is our rhyme.
But as it’s said,
(or so I’ve read)
words are dozens by the dime.
[ it may or may not be possible to contact me at: ]
TAZ@PoeticTerrorist.com